Stabat Mater: UNemphasized: Soprano 1 Soprano 2 Soprano 3 Soprano 4 Alto 1 Alto 2 Tenor 1 Tenor 2 Bass 1 Bass 2 ; 1: Stabat Mater: 2: Cujus animam gementem Quae maerebat Quis est homo Quis non posset Pro peccatis suae gentis: 3: Eja mater, fons amoris: 4: Sancta Mater, istud agas: 5: Fac me vere tecum flere: 6: Juxta crucem tecum stare: 7: Inflammatus et accensus: 8: Fac ut animae donetur … While he is best know for his fabulous 555 keyboard sonatas, he is also a master of the polyphonic art inherited from the renaissance. Details. 56:42. None [force assignment] Movements/Sections Mov'ts/Sec's: 12 movements Year/Date of Composition Y/D of Comp. Twelve Choral Preludes on Gregorian Chant Themes Organ [Sheet music] (1) $6.95 - See more - Buy online Pre-shipment lead time: 4 to 6 business days. Listen Details .

Stabat Mater, A-Ed G 10 Alt ernative.

Atlanta Symphony Orchestra & Chorus / Shaw, RobertReference: 0080362TELBarcode: 0089408036224Length: 0:58:14Label: Telarc She catches the voluptuous sadness of the slow movements and the hectic intensity of the faster ones, within an overall tone of graceful, chaste beauty. Four compositions, among which the famous Stabat Mater for ten voices, show the diversity of creative styles of the composer. Longstanding partners Sandrine Piau and Christophe Rousset have frequently performed the Stabat Mater, an emblematic work of the eighteenth-century Neapolitan repertory, both together and with other musicians. 1780 Language Latin Composer Time Period Comp.

Christophe Rousset finds in this music ‘an expression of very Mediterranean, very highly flavoured piety, in which one moves from tears to laughter quite quickly’.

1230–1306), but this has been strongly challenged by the discovery of the earliest notated copy of the Stabat Mater in a 13th-century The Stabat Mater was well known by the end of the 14th century and Georgius Stella wrote of its use in 1388, while other historians note its use later in the same century. They are joined here by a relative newcomer to Les Talens Lyriques who has also become a regular … The final work is one of Arvo Pärt’s largest choral works—Stabat Mater, written to express the passion, agony and love of Mary at the foot of the cross of her son. Title Composer Anonymous: I-Catalogue Number I-Cat. By continuing to browse this site, you give access to this use. In this recording, his writing is sturdily poly-choral as well as gently madrigal and he shows a craftsmanship that has little to envy from his illustrious Johann Sebastian Bach. By continuing to browse this site, you give access to this use. The text of the Stabat Mater has been put to different music by various composers in endless variations. II Organ MorningStar Music … Title Composer Bachschmid, Anton Adam: I-Catalogue Number I-Cat. While he is best know for his fabulous 555 keyboard sonatas, he is also a master of the polyphonic art inherited from the renaissance.

Sandrine Piau sees in Leo ‘an elegance of style, a certain distance in sorrow’. By Giovanni Battista Pergolesi “Stabat … Stabat mater Alt ernative. 56:42.

They are joined here by a relative newcomer to Les Talens Lyriques who has also become a regular partner with the ensemble, the American countertenor Christopher Lowrey (already heard on an Alpha disc devoted to Monteverdi, Alpha 216).The programme is completed by a Beatus vir by Leonardo Leo (1694-1744), sung by Sandrine Piau, and a Salve Regina for alto by Nicola Porpora (1686-1768), two totally unknown works by two composers who were nevertheless very famous at the time – Porpora, for example, was Farinelli’s singing teacher and mentor to the youthful Haydn. Longstanding partners Sandrine Piau and Christophe Rousset have frequently performed the Stabat Mater, an emblematic work of the eighteenth-century Neapolitan repertory, both together and with other musicians. p. 574, Alighieri, Durling, Martinez (2003) Dante, Robert M., Ronald L. Oxford

The title comes from its first line, "Stabat Mater dolorosa", which means "the sorrowful mother was standing"..

Similar items. Variations on Stabat Mater Organ GIA Publications.

Four compositions, among which the famous Stabat Mater for ten voices, show the diversity of creative styles of the composer. No. Quae moerebat et dolebat, Pia Mater, dum videbat Nati poenas inclyti.

In this recording, his writing is sturdily poly-choral as well as gently madrigal and he shows a craftsmanship that has little to envy from his illustrious …

Here is a programme entirely devoted to sacred music by Domenico Scarlatti. Quis est homo qui non fleret, Matrem Christi si videret In tanto supplicio? O quam tristis et afflicta Fuit illa benedicta, Mater Unigeniti!

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